Piano Concerto No. 2 (Bartók)

Introduction

Musical composition by Béla Bartók The Piano Concerto No.

2 in G major, Sz.

95, BB 101 of Béla Bartók is a musical composition for piano and orchestra.95, BB 101 of Béla Bartók is a musical composition for piano and orchestra.

The work, which was composed between 1930 and 1931, is notorious for being one of the most difficult pieces in the repertoire.The work, which was composed between 1930 and 1931, is notorious for being one of the most difficult pieces in the repertoire.

An average playing time is between 26 and 29 minutes.An average playing time is between 26 and 29 minutes.

Composition

In approaching the composition, Bartók wanted the music to be more contrapuntal.In approaching the composition, Bartók wanted the music to be more contrapuntal.

He also wanted to simplify his music (like many of his contemporaries), but his use of counterpoint in this piece makes for an extremely complicated piece of music.He also wanted to simplify his music (like many of his contemporaries), but his use of counterpoint in this piece makes for an extremely complicated piece of music.

This aspect had proven particularly troublesome in the First Concerto, so much so, in fact, that the New York Philharmonic, which was to have given the premiere, could not master it in time, and Bartók's Rhapsody had to be substituted into the program.This aspect had proven particularly troublesome in the First Concerto, so much so, in fact, that the New York Philharmonic, which was to have given the premiere, could not master it in time, and Bartók's Rhapsody had to be substituted into the program.

The composer himself claimed in a 1939 article to have composed this concerto as a direct contrast to his First Concerto, acknowledging that the First "is a bit difficult — one might even say very difficult!The composer himself claimed in a 1939 article to have composed this concerto as a direct contrast to his First Concerto, acknowledging that the First "is a bit difficult — one might even say very difficult!

— as much for orchestra as for audience."

Even so, the Second Concerto is notorious for its difficulty.Even so, the Second Concerto is notorious for its difficulty.

András Schiff said, "For the piano player, it 's a finger breaking piece.András Schiff said, "For the piano player, it 's a finger breaking piece.

[It] is probably the single most difficult piece that I have ever played, and I usually end up with a keyboard covered by blood."[It] is probably the single most difficult piece that I have ever played, and I usually end up with a keyboard covered by blood."

Stephen Kovacevich also declared that it was the most technically demanding piece he had ever played and that he nearly paralyzed his hands while preparing the piece.Stephen Kovacevich also declared that it was the most technically demanding piece he had ever played and that he nearly paralyzed his hands while preparing the piece.

The concerto was dated 1930/1931, but not premiered until 23 January 1933 in Frankfurt.The concerto was dated 1930/1931, but not premiered until 23 January 1933 in Frankfurt.

The Frankfurt Radio Symphony Orchestra was conducted by Hans Rosbaud with Bartók as the soloist.The Frankfurt Radio Symphony Orchestra was conducted by Hans Rosbaud with Bartók as the soloist.

The first performance in Hungary was later that same year, conducted by Otto Klemperer with Louis Kentner playing the piano at Bartók's request.The first performance in Hungary was later that same year, conducted by Otto Klemperer with Louis Kentner playing the piano at Bartók's request.

Bartók himself played the work at a BBC Symphony Concert in the Queen's Hall on 8 November 1933, with the BBC Symphony Orchestra conducted by Adrian Boult.Bartók himself played the work at a BBC Symphony Concert in the Queen's Hall on 8 November 1933, with the BBC Symphony Orchestra conducted by Adrian Boult.

The concert was broadcast live and described in Radio Times as the first performance in England (Radio Times, 3 November 1933, p. 356).The concert was broadcast live and described in Radio Times as the first performance in England (Radio Times, 3 November 1933, p. 356).

Bartók played it again at the Proms in London under Sir Henry Wood on 7 January 1936, an initiative of the BBC music producer Edward Clark.Bartók played it again at the Proms in London under Sir Henry Wood on 7 January 1936, an initiative of the BBC music producer Edward Clark.

On 18 April 1934 he played it in Konserthuset with the Royal Stockholm Philharmonic Orchestra under Vàclav Talich.On 18 April 1934 he played it in Konserthuset with the Royal Stockholm Philharmonic Orchestra under Vàclav Talich.

The first performance in the United States was given in Chicago on 2 March 1939, with Storm Bull as soloist and the Chicago Symphony Orchestra conducted by Frederick Stock.The first performance in the United States was given in Chicago on 2 March 1939, with Storm Bull as soloist and the Chicago Symphony Orchestra conducted by Frederick Stock.

The French premiere was given in 1945 by Yvonne Loriod, who had learnt it in only eight days.The French premiere was given in 1945 by Yvonne Loriod, who had learnt it in only eight days.

Instrumentation

The concerto is scored for an orchestra consisting of a solo piano, two flutes (one doubling on piccolo), two oboes, two clarinets (in B flat), two bassoons (one doubling on contrabassoon), four horns (in F), three trumpets (in C), three trombones, tuba, timpani, snare drum, bass drum, triangle, cymbals, and strings.The concerto is scored for an orchestra consisting of a solo piano, two flutes (one doubling on piccolo), two oboes, two clarinets (in B flat), two bassoons (one doubling on contrabassoon), four horns (in F), three trumpets (in C), three trombones, tuba, timpani, snare drum, bass drum, triangle, cymbals, and strings.